ንድፊ ግራፊክስ፣ ስእልን ብዓይኒ ዝረአ ርክብን Altavita Visual Identity Design ብ Roozbeh Mashhadi Zadeh The Altavita Visual Branding project employs an isometric geometric form inspired by architectural drawings to symbolize transition and invitation. The design reflects architectural depth while maintaining clarity and simplicity. A vertical composition emphasizes balance and proportion, while the red, black and gray palette communicates strength, precision and neutrality. The identity extends to stationery, packaging and digital media, ensuring consistency across applications and delivering a timeless professional presence with minimal expression.
ተዓዋታይ ሽልማት A' Design Award
Altavita Visual Identity Design ብ Roozbeh Mashhadi Zadeh፣ ኣብ ውድድር A' ሽልማት ንድፊ ግራፊክስ፣ ስእልን ብዓይኒ ዝረአ ርክብን ክቡር ተዓዋታይ እዩ. Altavita Visual Identity Design ኣብ 2026 ሽልማት A' Design Award ረኺቡ፣ ኣብ Graphic Design Winners ድማ ምስ ካልኦት ኣቓልቦ ዝስሕቡ ንድፍታት ይቐርብ. ነቲ ፕሮጀክት ብዝርዝር ፍለጡ፣ ካልኦት ስራሓት Roozbeh Mashhadi Zadeh ድማ ኣለልዩ፣ ንድፊ Altavita Visual Identity Design ካብ ተወዳደርቱ እንታይ ከም ዘፍልዮ ተመልከቱ.
ብዛዕባ Altavita
ንድፊ ግራፊክስ፣ ስእልን ብዓይኒ ዝረአ ርክብን Altavita Visual Identity Design ብ Roozbeh Mashhadi Zadeh The Altavita Visual Branding project employs an isometric geometric form inspired by architectural drawings to symbolize transition and invitation. The design reflects architectural depth while maintaining clarity and simplicity. A vertical composition emphasizes balance and proportion, while the red, black and gray palette communicates strength, precision and neutrality. The identity extends to stationery, packaging and digital media, ensuring consistency across applications and delivering a timeless professional presence with minimal expression. Altavita ብደረጃ ሓጺን A' Design Award ረኺቡ፣ እዚ ድማ ኣብ A' Design Award & Competition ዝወሃብ ክቡር ኣፍልጦ እዩ. ንድፍታት ደረጃ ሓጺን ድልዱላት ሓሳባትን ሞያዊ ንድፍን የርእዩ፣ ምስ ሽልማት ዝረኸቡ ስራሓት ንኽሕተሙ ድማ ብሰፊሕ ጉጅለ ዳያኑ ይምረጹ. እዚ ምርጫ ድሕሪ ፍትሓዊ፣ ስነ ምግባራዊ፣ ኣብ ብቕዓት ዝተመርኮሰን ዘይሻራዊ ኣካዳሚያዊ ገምጋም ይካየድ፣ ኣብዚ መስርሕ ዝተሓጽዩ ንድፍታት ኣቐዲሞም ብዝተወሰኑን ንህዝቢ ክፉታት ብዝኾኑን መዐቀኒታት ገምጋም፣ ብስርዓት መንነት ፈጣሪ ዝተሰወረሉ ግምገማ መዛኑ ድምጺ ይወሃቦም.
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